We’re able to fabricate our stone tops in a wide range of edge profiles. Our standard edge detail features a laminated extra-thick profile with a full bullnose finish, shown here in our Golden Spider Marble. At the moment, this is the only edge profile available to configure directly on the site, but we’re happy to accommodate custom profiles upon request. If you’re looking for something different, just reach out and let us know what you have in mind. Additional options include profiles such as a double ogee and a double bullnose, shown here in our Madre Perola Quartzite and Red Onyx respectively.

Our standard table tops are made with a lamined stone edge, so that the only visible wood is the base. This is shown here with our Madre Perola Quartzite. We also offer the option to have a visible wood "Subtop", as shown here with walnut and a Guatamala Green top. If you're interested in this or another custom top configuration, just reach out!

The quietest stone in the room and somehow still the one everyone notices. Carrara's soft white ground and silver-grey veining have a restraint that reads as effortless. It's been pulled from the hills above Tuscany for two thousand years, and it still doesn't try too hard.

Pure black ground, pure white veins. Nero Marquina has no interest in subtlety, and it doesn't need any. It's one of the few stones that holds its own against a strong room or defines a simple one entirely on its own.

The veining here is the whole point. Fine gold and rust lines web across a dark ground with almost architectural precision. It's less natural phenomenon, more deliberate drawing. A surface that rewards looking closely.

One of the more singular stones in the marble canon. From deep burgundy-red to dramatic white and green veining in large, sweeping fractures. It has the presence of something you'd find in a palazzo. Not because it's trying to, but because that's simply where it's from.

Warm where most stone is cool. Giallo Siena's amber and honey tones carry the particular richness of aged things: old lacquer, worn leather, afternoon sun on plaster walls. It pairs with almost everything and flatters anything near it.

Similar in temperature to Rojo Alicante but wilder in character. The veining in Rosso Levanto is more fractured, more chaotic. Green and white crack through a deep red ground like something that moved fast and cooled slowly. A stone with a past.

Verde Antigua has a softness that most green stones don't. Its pale, cloudy ground - part sage, part celadon, part something harder to name - is laced with white veining that feels less like fracture and more like breath. It's ethereal in a way that's unusual for stone, and quietly striking because of it.

Brown is back, and Chivas makes the case effortlessly. Warm caramel and tobacco tones flow through this quartzite with a fluidity that feels almost intentional. Rich, grounded, quietly confident. The stone for everyone who knew brown never actually left.

The name translates to mother of pearl, and the surface earns it. Shifting silver, grey, and warm white tones move across the face with an almost luminous quality. It's the kind of stone that changes with the light throughout the day.

Red stone tends to announce itself, and Rojo Alicante is no exception, but there's depth here beyond the color. Subtle white veins and spots cut through a deep burgundy ground in patterns that feel almost geological in their drama. It earns the attention it demands.

Named for a moment that only lasts a week. Blush tones drift across a pale ground in soft, diffuse clouds of pink, grey, and green. It's a stone with subtle drama and intimacy, with the quality of good light in a room at the end of the day.

Not many stones carry actual color this well. Emerald's deep green tones are saturated without being heavy, and the quartzite's natural movement keeps it from ever feeling static. It occupies space the way a well-chosen object does - deliberately and without fuss.

Blues, with hints of greens, and whites in layered movement. It looks less like a cross-section of the earth and more like something atmospheric. Seven Seas is the rare stone where the color is the character, and it's a strong one.